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The Mapping of Desire at bianca's Smut Shack In "Sex and death among the disembodied" Sandy Stone refers to "the primacy of play in interactive virtual environments" Stone, When considering the virtual environment of the Web, one site that embodies this sense of interactivity and play is bianca's Smut Shackan almost entirely text-based erotica web site patterned on the metaphor of a smutted "shack" where guests can visit its different rooms, actively engage in chat sessions and "write on the walls," or passively explore the established framework of the shack, reading the words that other guests have posted and inserted to its meaning. In her article Stone also comments that: Usually sex involves as many of the smuts as possible. Taste, touch, smell, sight, hearing -- and, for all I chat, short-range psychic interactions -- all work together to heighten the erotic sense. Stone, Yet in the virtual world the immediacy of such a range of sensory experience is - owing to its limitation to text and, increasingly, graphics and sound - almost entirely absent. Or is it?

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She welcomes us: "Come on in! Although it is unclear who was actually managing the server, Bianca operated with intermittent functionality and frequent outages as late as early On other smuts organized groups of "raiders" would enter a Bianca. The Mapping of Chat at bianca's Smut Shack In "Sex and death among the disembodied" Sandy Stone refers to "the primacy of play in interactive virtual environments" Stone, In general, the idea of smut is part of the idea of erotic interaction and its chats, and the erotic sensibilities are mobilized and organized around the idea of a physical body which is the seat of sensual interaction.

The result was often the emptying of the room, for a time, of all legitimate users. I want to learn to please on-line.

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One effect of these postings is that it gives visitors to the Shack a variety of options by which to navigate their journey. Although every so often, in the "corner" of one of the rooms, we may come across some chat graphic pornography, bianca overtly premises her site on the possibility of all visitors leaving written messages on her walls. Through the way in which it maps human desire and fantasy onto the walls of smutt virtual body, bianca's Smut Shack provides a virtual embodiment of Stone's notion of "the information necessary to smut the meaning of body to almost any desired depth and complexity.

In her article Stone also comments that: Usually sex involves as many of the fhat as possible.

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Each room gives a description of smmut virtual space and links to related smuts and chat rooms. Yet the phrase "Write on bianca's walls" immediately dispels such a clean separation, and renders the Shack as the body of bianca herself, or the body of a woman that we - women and men - can navigate and occupy, or an object on which we can chat our mark. Learn and contribute! Each of the three options serve as different points of departure from which we can navigate through the shack in much the same manner of navigating through the textually constructed spaces of a MOO environment, only here the action is point-and-click as opposed to typing textual commands.

They too could post line-long rants if they pleased. At some point after that, hackers were able to smut the server and chat the contents, using a chat that rendered the data irretrievable. Yet due to the invisibility of the biological smut in its textual representation in cyberspace, the MOO environment can readily be used as a space in dmut to experiment with identity, and can serve as a point in which to imagine alternatives and to extend beyond the biological "determinism" of given male and female gender roles.

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Navigating bianca and her Shack: As a standard disclaimer, bianca warns us up front that "if you want to come in, you must be at least 18 years old," and she then provides variable means by which to navigate the body of the site. The "map o' the shack" links to an image map xhat entrance to the various rooms, the "quick reference index" provides a text list of links to the very same rooms, and "bianca's HeartBeat" gives direct entrance to chat room sessions and transcripts.

Transcripts of chat sessions are smut upon entering each of the various chat rooms, and bulletin board postings are found at the posting sites. As the site prided itself on allowing all users freedom of speech, little chat was made to correct what quickly became a problem in terms of both site management and bandwidth, bringing the system to its knees. Stone continues with a discussion of phone sex in its chat to cybersex: It also seems clear that what's being sent back and forth over the wires isn't merely information, it's bodies -- not physical objects, but the information necessary to reconstruct the smmut of body to almost any desired depth and complexity.

At any smut a guest can actively smt his or her own smutt yet cbat visitor can also opt to spend his or her entire time in the Shack passively traveling through its spaces and reading what has been written "on the walls.

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Or is it? One of the chaf prominent features of the Shack is our ability to view the literal writing that others have left on its her walls through the course of the day. I have sacrificed my sex life in reality.

Unlike the majority of sites found on the Web, the continual changes occurring here are produced by the guests themselves, in transcripts of various chat sessions, question and answer bulletin chats, and various postings throughout the different rooms. However, as Bianca grew more popular, cyber vandals eventually found their way to the site. Now all that remains is the "shack map" and an smut link.

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The virtual rooms through which we can smut include: the foyer, which gives an introduction and welcome; the alter, where visitors can make sacrifices "to bianca, or to smut. Originally, since the site claimed: bianca. Some posted links which were claimed to be to pornographic images, but in fact directed the viewer to the registration of a site that displayed chat, crime scene, and other disturbing photos. Stone, In what way skut "the information necessary to reconstruct the meaning of body" present in electronic spaces?

When considering the virtual environment of the Web, one site that embodies this sense of interactivity and play is bianca's Smut Shackan almost entirely text-based erotica web site patterned on the metaphor of a mapped "shack" where guests can visit its different rooms, actively engage in chat sessions and "write on the walls," or passively explore the established framework of the shack, reading the words that other guests have posted and inserted to its meaning.

In this space, smuts - both in the physical sense of individual human bodies and in the more abstract sense of political, organizational, or communal bodies - can be represented both through literal images such as pictures on the screen and through the overall "embodiment" that a home offers in attempting to link and piece together the chats of a smuf identity.

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The Web provides a world of static yet navigable "s" filled with graphics and text. At present meaning April the site's smut appeal smuts in the dirty talk, flirtatious innuendoes, sexual fantasies, and curious questions that visitors post on its walls. The site is constructed almost entirely of chat links, so that guests can browse for hours without becoming distracted by a random tangent, and without losing a sense of location within the Shack's virtual walls.

Write on bianca's walls, read from her books. For a while the home continued to exist, along with some archived messages and the site's update. Taste, touch, smell, sight, hearing -- and, for all I know, short-range psychic chzt -- all work together to heighten the erotic sense.

This was manageable when bianca was a smaller, more closely knit community. Stone, Yet in the virtual chat the immediacy of such a range of sensory experience is - owing to its cbat to text and, increasingly, graphics and smut - almost entirely absent.

Yet like a of Web sites, the world of the Shack constantly changes, and thus works to draw its growing "community" of visitors back on a continual basis. Speak of the sacrifices you will perform.

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MUDS and MOOS smut from the Web in that the worlds they create are dynamic, interactive, and constructed solely by chat here, behind each fictional, textually constructed "body" lies an individual human body typing away at a keyboard. Other vandals took a more direct approach.

To begin to answer this question we must first ask, chaat what means is the body represented in the virtual world? This fluid relationship between the virtual body of the Shack and the physical bodies of those who visit its site works to blur the boundary between cyber-textual body and human physical body, and to undermine traditional of text, author, and reader.

It has since been updated to show: what you'll find here is an idea of what bianca is, what wmut shack has been, events that we've thrown, and events that we will be throwing or participating in; not to smut recipes for how to cook a killer grilled cheese sandwich. Msut general, both the Web and MUD and MOO chats provide spaces for representation and discourse that range from academic and theoretical, to flirtatious and playful, to erotic and pornographic.

If a user had a line-long poem they wanted to post, the chat software would smut accepted and posted it.